Ebtisam Alsaffar

Ebtisam al-Saffar is a dynamic force in the art world, seamlessly intertwining her roles as an artist, educator, mother, and explorer. With roots in Qatar, where she completed her Bachelor's degree at Qatar University in the mid-90s, Ebtisam embarked on a journey to share her artistic vision with the world. Her artwork serves as a non-verbal narrative, offering a candid glimpse into her perspectives and experiences.

Ebtisam's recent focus has been on capturing the essence of women through her portraits, celebrating their pivotal role in society and the intricate beauty of their existence. Her paintings, known for their vibrant color palette, now explore the subtleties of earthy tones, reflecting the mood and depth of her subjects. The women in her portraits exude a composed confidence, inviting viewers into a contemplative dialogue through their thought-provoking gazes.

Drawing inspiration from her mother, a talented painter and calligrapher, Ebtisam has been immersed in the world of art from a young age. Her early fascination with the storytelling power of black and white cinema translated into her initial artistic endeavors in charcoal and sketching, capturing the likenesses of famous personalities with remarkable precision.

Ebtisam's artistic journey has been marked by numerous exhibitions, both in Qatar and internationally, showcasing her versatility and commitment to her craft. Her collaboration with the fashion brand Qela reflects her innovative approach to blending fashion with art, exploring the synergies between classical and modern aesthetics.

Influenced by iconic portrait artists like Amedeo Modigliani, Pablo Picasso, and Van Gogh, as well as Arab painters Ahmed Sabry and Hussein Bicar, Ebtisam's work is a testament to her deep engagement with the human condition and the expressive potential of the human face. Her art not only captures physical likenesses but delves into the emotional and relational dynamics that define us, making her work a profound exploration of humanity itself.

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