Hazim Al-Hussain: Painting Stories

Hazim Al-Hussain: Painting Stories 

‍Thuli Mlambo-James

Al-Hussain began his artistic journey in his childhood which was inspired by his father's encouragement and a profound fascination for art museums and tools. This childhood passion for creativity transformed into an enduring dedication, compelling Al-Hussain to pursue a bachelor's degree in art education. Fuelled by the conviction that art serves as a medium for leaving an indelible mark on the world, he delved into exploring the connections between existence, artistic expression, and the reflection of society.

His degree choice enriched his understanding of art's connection to sociology, philosophy, psychology, and teaching methods. His academic background allowed him to explore the objective links between these disciplines and his artistic work, adding depth to his creations.

In 2012, Al-Hussain established "Kaish Studio”, amidst challenging times in Sudan's political turmoil which stood as a testament to Al-Hussain's unwavering dedication to artistry despite societal constraints. Under a ruling regime hostile to artistic expression, the resilience of the art community struggled against diminishing support and opportunities. Kaish Studio which was a bold initiative spearheaded by Al-Hussain and other two artists from Sudan, was an art space that represented a dedicated haven where Al-Hussain’s creative vision could flourish, aiming to elevate Sudanese art despite challenges within a country where their artistic expressions may not always receive widespread acclaim. This collaborative space not only nurtured their craft but also fostered a collective endeavour to push the boundaries of Sudanese art, offering both mental space and creative freedom to create meaningful works that resonate globally.

Yet, through dedication and determination, the art scene gradually revived, only to be further liberated by the Sudanese Popular Revolution 2018, offering newfound freedoms and prospects for artists. Al-Hussain's journey bears witness to the intertwining of political activism and artistic expression. His steadfast opposition to totalitarianism in Sudan permeated his art, reflecting the societal anxieties, hopes, and fears. This profound connection to societal struggles imbued his work with a poignant relevance, rendering it a mirror to the socio-political landscape.

Al-Hussain's artwork serves as a poignant reminder that art can be a powerful tool for commentary and reflection on the world around us. In his solo exhibition "Expectancy," he sheds light on the yearning and trepidations of mothers amidst the gold prospecting era in Sudan. The exhibition explores the hopes and fears of individuals during a period of gold prospecting, where young men would go dig for gold in the gold-rich area of Sudan, and their return might have a positive or negative result. It is a reflection of his ability to capture the nuances of human emotions and experiences.

In the exhibition "Freedom of Walls," Al-Hussain examines the impact of political events on the walls of the city. In this exhibition, he delved into the dichotomy of revolutionary acts and the inadvertent imposition of dictatorship through graffiti on city walls. Each of his exhibitions is an introspective journey infused with societal nuances, narrating stories that resonate deeply with the audience. His selection of solo exhibition themes mirrors his quest for meaning beyond language, attempting to provoke aesthetic reactions and delve into societal complexities.

His participation in various group exhibitions, both locally and internationally, and in various artist residencies in Doha, Qatar, and Uganda has broadened his horizons. These residencies brought together artists from diverse backgrounds, cultures, and artistic practices, exposing them to different perspectives and helping them challenge their artistic beliefs, encouraging experimentation with new themes and techniques. His engagement with these artists from diverse backgrounds enriched his artistic journey, exposing him to different cultures, reinforcing his connection to his roots, and offering diverse perspectives and cultural nuances. These experiences have become a significant source of inspiration, inspiring him to reinterpret ancient Sudanese history in modern narratives. 

Reflecting on his inspirations, he elucidated the impactful works of Dr. Ahmed Abdel-Al and Ibrahim El-Salahi, a renowned artist from Sudan, and owner of Al-Wahed School, whose art is characterised by providing plastic solutions He combined drawing and calligraphy through his work on Arabic writing and tried to employ it aesthetically within the precise plastic structure However, beyond these renowned artists, Al-Hussain found inspiration not just in the brushstrokes or narratives but also in the fabric of Sudanese culture itself. 

Al-Hussain’s art journey wasn't devoid of challenges. He faced resistance and indifference towards certain themes within his artwork, notably his series titled "Struggle." Despite initial disinterest from art connoisseurs and galleries, Al-Hussain persisted in portraying narratives that resonated with him, including elements of cultural significance like the Abu Jika, which it’s inclusion in his art, symbolises his quest to retain and honour the cultural identity of Sudan, illustrating the struggle and resilience inherent in cultural preservation against changing societal norms.

Beyond the realm of traditional artistry, Al-Hussain's involvement in water conservation and telecommunications projects broadened his understanding of societal interconnectedness. These experiences found resonance in his art, echoing themes of environmental stewardship and the impact of technology on human lives.

The multifaceted nature of Al-Hussain's identity, born of an Arab-African hybrid environment, instigated an exploration of cultural identity in his artistic and research pursuits. Artist residencies in Uganda and Qatar stirred a sense of roots and cultural connections, illuminating the fusion of identities that he embodies.

The artistic process for Al-Hussain is a dance between planned precision and unbridled spontaneity. Starting with an idea, sketching it, and then allowing the canvas to guide the emotional rhythm, he embraces the momentary impulses that imbue his work with depth and emotion, allowing momentary emotions and spontaneity to guide the process. His work is a mixture of consciousness and subconsciousness, resulting in art that captures the depth of human experiences Khartoum, Sudan, serves as the backdrop for his artistic evolution. It's cultural tapestry and social interactions infuse his work with vibrant hues of diversity. The warm camaraderie and intellectual exchanges within the city contribute to the narratives woven into his art, reflecting a collective consciousness rooted in activism and the pursuit of social justice. 

While Al-Hussain's journey has not been without challenges, his unwavering commitment to artistic expression and the pursuit of societal change through art has yielded remarkable results. His artwork serves as a poignant reminder that art can be a powerful tool for commentary and reflection on the world around us, and that it is through the power of creativity that we can truly make a difference.

“MADANIH 1” (2019) captures the uncommon harmony and mutual interaction between the revolutionary protestors and the military, an image that defies the typical confrontational narrative often associated with such movements. 

The artist's portrayal sheds light on a fleeting moment of unity and understanding, where barriers were momentarily dissolved, and dialogue flourished.

“MADANIH 3” (2020) is based on a 15-year-old who was one of the very fierce revolutionaries, during a period of the Sudanese revolution that toppled the Bashir regime, he came from the same neighbourhood as Al-Hussain. In essence, this art piece serves as a powerful testament to the resilience, courage, and determination of Sudan's youth, echoing their pivotal role in heralding an era of change during a tumultuous period in the nation's history. This artwork stands as both a tribute to the past and a beacon of inspiration for the future.

The mural-style collage, “MADANIH 5” (2020), vividly captures a pivotal moment in Sudanese history, the announcement of the fall of Omar al-Bashir's regime. The artwork is an evocative amalgamation of faces, meticulously arranged in a collage format, representing individuals witnessed during this historic announcement. 

The imagery of the Abu Jika, a distinct garment that was prevalent in Sudan before the rule of the Muslim Brotherhood. This acts as a symbol of resilience, representing a cultural heritage that withstood the challenges of a regime that sought to erase or manipulate Sudanese traditions. 

Living in Khartoum, Sudan has significantly influenced Al-Hussain’s art, with the social interactions and the collective consciousness of the city being central to his work. The multicultural environment, warm atmosphere, and the city's history of political activism have helped shape his artistic perspective. His art often reflects the cultural tapestry of Khartoum and addresses pressing societal issues. Al-Hussain’s work emphasises the importance of environmental stewardship, cultural appreciation, and the potential for technology to foster connection and progress.

In essence, Al-Hussain's artistic expedition is a testament to resilience, societal reflection, and the unending quest for meaningful expression. His journey encapsulates the fusion of identity, the interplay between societal influences, and the timeless dialogue between art and the human experience. Through his work, Al-Hussain reminds us that art transcends boundaries, inviting us into a realm where emotions, consciousness, and societal complexities converge on canvas.

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Cover artwork: Hazim Al Hussain, MADANIH 2, 2019. Acrylic on canvas, 150 x 134 cm 

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